More and more I believe that
l'art pour l'art, to work for work's sake, l'énergie
pour l'énergie - is after all the principle of all
great artists, for in the case of the de Goncourts one sees
how necessary obstinacy is, for society will not thank them
for it.
But in painting one finds a certain rest in the histories
of those painters who aimed at the most sublime through it
all.
Israëls himself, for instance, was still quite unknown
and poor, even to the extent of having nothing to eat but
dry bread - when he nevertheless wanted to go to Paris, though
the circumstances were discouraging enough.
Not to be discouraged, even though one is almost starving,
and though one feels one has to say farewell to all material
comfort in life!
|