Monday, January 21, 2008

I shall always have an aim

Vincent van Gogh to Theo van Gogh, from Antwerp, c. 12-16 January 1886

When you get right down to it, I'll admit that when one is working exclusively from nature, something more is needed: the facility of composing, the knowledge of the figure, but, after all, I do not believe I have been drudging absolutely in vain all these years. I feel a certain power within me, because wherever I may be, I shall always have an aim - painting people as I see and know them.

Whether impressionism has already had its last say or not - to stick to the term impressionism - I always imagine that many new artists in the figure may arise, and I begin to think it more and more desirable that, in a difficult time like the present, one seeks one's security in the deeper understanding of the highest art.

For there is, relatively speaking, higher and lower art; people are more important than anything else, and are in fact much more difficult to paint, too.

Letter 444
Translation courtesy of Robert Harrison.
Back to The Way of Vincent: Making art no matter what

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